October 26, 2022

33rd Singapore International Film Festival (SGIFF) Continues to Drive New Agenda for Change

The hallmark cultural event returns in full force from 24 November to 4 December 2022; Singapore films account for over a quarter of this year’s line-up

101 films representing works from over 50 countries will be screened throughout the 11-day festival
New festival categories ‘Altitude’ and ‘Horizon’ were created to reflect SGIFF’s ceaseless shift towards a comprehensive and inclusive direction
For the first time, the Festival Opening Film is from Central Asia — Assault, by Kazakh director Adilkhan Yerzhanov, makes its Southeast Asian premiere at SGIFF
This year’s Outstanding Contribution to Southeast Asian Cinema Award is presented to In-Docs from Indonesia

SINGAPORE, 26 October 2022 — After two pandemic-affected editions of the Singapore International Film Festival (SGIFF), the country’s longest-running film festival is back with a stunning list of 101 independent films from 55 countries. As the world continues adapting to a truly new normal, the 33rd edition of SGIFF focuses on discovering fresh and inclusive perspectives in a bid to demonstrate human connectedness and function as a vehicle of progress.

Entering his first full year as Programme Director, THONG Kay Wee took the opportunity to refine the team’s approaches and devote even more care to sifting through a year’s worth of new films. “SGIFF has been through a lot over the last few years and a period of consolidation with new insights have been helpful for our path ahead. We have to continually challenge ourselves to evolve as we grow together with our audience and the film industry,” shares Thong.

“There are a number of new changes to the festival this year, including the introduction of two new Festival sections termed ‘Altitude’ and ‘Horizon’. In line with last year’s changes to our programme sections, these new additions complete the shift towards a more designated and inclusive programming direction where we welcome audiences to consider the different positions they can assume when they enjoy our film offerings.”

Celebrating New Perspectives

Opening this year’s Festival is Assault, a darkly comic, absorbing thriller that depicts the farce and fault lines in a society ruled by the insecurities of men. Directed by Adilkhan YERZHANOV, a major figure in Kazakh cinema, Assault premiered at the International Film Festival Rotterdam, and won the Grand Jury Award for Best Narrative at the Los Angeles Asian Pacific Film Festival. Yerzhanov first gained prominence following his breakout feature The Owners (2014), which premiered at Cannes and was nominated for Best Asian Feature at SGIFF; he went on to make acclaimed films like The Plague at Karatas Village (2016), some of which screened at SGIFF. Assault is also the Festival’s first-ever Central Asian opening film. Assault is also the Festival’s first-ever Central Asian opening film.

“I have been an avid follower and friend of the Festival for close to a decade and am humbled that ‘Assault’ has the privilege of not only being this year’s opening film but to be the first-ever Central Asian film to headline SGIFF. Casting an irreverent look at social and political crises, we hope that Assault greatly resonates with the festival’s audience, allowing them to ponder on the impact of such events on society and on the individual. I hope that the film can spark more conversation amongst festival-goers and look forward to discussing more with them during the festival,” shares Yerzhanov.

SGIFF will also be hosting an exclusive In Conversation session under our Forum programme with Yerzhanov himself and his long-time producer, Olga Khlasheva. Goliath, Yerzhanov’s other acclaimed film of the year will also be presented at the festival this year.

A still from Assault, the Opening Film for the 33rd Singapore International Film Festival

This year’s Asian Feature Film Competition presents 9 new films by directors making their first to third features, of which three films were developed and nurtured at previous editions of the festival’s Southeast Asian Film Lab (SEA FL). Presenting their debut features for the first time in Singapore, alumni Thai director, Sorayos PRAPAPAN will be showing Arnold is a Model Student, a lighthearted satire highlighting Thailand’s recent Bad Student movement; while Filipino writer-director Martika Ramirez ESCOBAR, introduces psychological comedy- drama film Leonor Will Never Die. SEA FL 2017 alumni Makbul MUBARAK also makes his dazzling debut with the Indonesian political drama Autobiography, a co-production with collaborators from Indonesia, France, Germany, Poland, Singapore, Philippines and Qatar.

For the 33rd SGIFF, half of the diverse festival line-up sits across six curated programme sections that aim to spark the audience’s curiosity and interest —

Asian Feature Film Competition

Film Section	Film Highlights
Altitude Altitude platforms important new works by some of the most established filmakers today.	The Novelist’s Film is the 27th feature by South Korean filmmaker HONG Sang-soo whose work explores everyday life and human interaction in subtly profound ways. The Novelist’s Film premiered at the Berlinale where it won the Silver Bear Grand Jury Prize. In this work of startling intimacy, a novelist’s affinity with a younger actress leads to a film collaboration. No Bears is by acclaimed Iranian director Jafar PANAHI whose films are known for their humanistic perspective on life in Iran. Though he was banned from leaving the country and barred from filmmaking since 2010, he has continued to find ways to create fresh, award-winning works. He was ordered to serve a six-year prison sentence in July 2022. Alcarràs is the sophomore feature of Spanish filmmaker Carla SIMÓN. The film won the Golden Bear at the 72nd Berlinale and became the first Catalan-language film to receive this award.
Horizon Horizon scopes out strong festival discoveries and films of eclectic perspectives from all over the world.	Divine Factory is an observational documentary tackling the topics of religion, labour and capital, by Filipino filmmaker Joseph MANGAT. This is his feature debut, which was a recipient of Tan Ean Kiam Foundation- SGIFF Southeast Asian Documentary (SEA-DOC) Grant. A Long Journey Home by young Chinese director ZHANG Wenqian makes its Asian premiere at SGIFF. This is her feature debut, which was awarded the jury prize in the Burning Lights Competition at Visions du Réel. Stone Turtle by Malaysian director, writer and producer WOO Ming Jin is a spellbinding island folk horror. Stone Turtle won the FIPRESCI Prize at the Locarno Film Festival in 2022.
Foreground Foreground spotlights genre favourites and cinematic attractions of the year.	World War III by director Houman SEYEDI will be making its Southeast Asian premiere after winning the Orizzonti Award for Best Actor and Orizzonti Award for Best Film at the 79th Venice International Film Festival. The film was also selected as the Iran entry for the Best International Feature Film at the 95th Academy Awards. Premiering in Southeast Asia, The Abandoned was directed and co-written by TSENG Ying-Ting and stars Golden Horse Award winner Ethan Ruan as well as Golden Horse Award nominee Janine Chang in this dynamic crime thriller. Nocebo by Irish filmmaker Lorcan FINNEGAN is an Irish- Filipino psychological thriller starring Eva Green, Mark Strong and Filipino actress Chai Fonacier. Nocebo will be making its Singapore premiere. The Fifth Thoracic Vertebra is the first feature film by South Korean director PARK Syeyoung. A quirky, melancholy body horror that mixes genre kicks with playful formalism as it follows the life of a mattress-dwelling fungus. The film won 3 awards at the 26th Bucheon International Fantastic Film Festival, including the Korean Fantastic Audience Award, and will be making its Southeast Asian premiere at SGIFF
Undercurrent Undercurrent charts exciting directions and bold expressions in cinema today, affirming imaginative treatments of the moving image.	The 33rd SGIFF will showcase five double bills and three single features in this section. All The Things You Leave Behind by Thai filmmaker Chanasorn CHAIKITIPORN and The Unburied Sounds of a Troubled Horizon by Vietnamese filmmaker Tuan Andrew NGUYEN will both make their Asian premieres at SGIFF. Both are politically charged films that take a localised look at the lasting impact of war. Unidentified is a hilarious, moving, and whimsical speculative fiction piece that tackles the idea of belonging by Korean-Canadian filmmaker Jude CHUN and Eventide is a single-shot landscape short film by Los Angeles-based visual artist Sharon LOCKHART that experiments with the rich sonic and visual resources of the night to evoke both wonder and mourning. De Humani Corporis Fabrica is an immersive, visceral journey through the structures and pathologies of human and medical bodies in the 21st century. A collaboration between anthropologists and visual artists Véréna PARAVEL and Lucien CASTAING-TAYLOR, De Humani Corporis Fabrica premiered at Cannes in the Directors’ Fortnight section. The Fifth Thoracic Vertebra is the first feature film by South Korean director PARK Syeyoung. A quirky, melancholy body horror that mixes genre kicks with playful formalism as it follows the life of a mattress-dwelling fungus. The film won 3 awards at the 26th Bucheon International Fantastic Film Festival, including the Korean Fantastic Audience Award, and will be making its Southeast Asian premiere at SGIFF.
Undercurrent Undercurrent charts exciting directions and bold expressions in cinema today, affirming imaginative treatments of the moving image.	The 33rd SGIFF will showcase five double bills and three single features in this section. All The Things You Leave Behind by Thai filmmaker Chanasorn CHAIKITIPORN and The Unburied Sounds of a Troubled Horizon by Vietnamese filmmaker Tuan Andrew NGUYEN will both make their Asian premieres at SGIFF. Both are politically charged films that take a localised look at the lasting impact of war. Unidentified is a hilarious, moving, and whimsical speculative fiction piece that tackles the idea of belonging by Korean-Canadian filmmaker Jude CHUN and Eventide is a single-shot landscape short film by Los Angeles-based visual artist Sharon LOCKHART that experiments with the rich sonic and visual resources of the night to evoke both wonder and mourning. De Humani Corporis Fabrica is an immersive, visceral journey through the structures and pathologies of human and medical bodies in the 21st century. A collaboration between anthropologists and visual artists Véréna PARAVEL and Lucien CASTAING-TAYLOR, De Humani Corporis Fabrica premiered at Cannes in the Directors’ Fortnight section.
Standpoint Standpoint showcases new international works that present strong attitudes of personal, social and political consequences.	A House Made of Splinters by Danish documentary filmmaker Simon LERENG WILMONT is a sobering window into the little lives and high hopes of three children seeking refuge at a temporary shelter in eastern Ukraine. This is the film’s Asian premiere. I Didn’t See You There is the feature debut of American filmmaker Reid DAVENPORT, who makes films about disability from an overtly political perspective. The film premiered at the 2022 Sundance Film Festival and won Best Directing in the US Documentary Competition. We Don’t Dance For Nothing is Chinese-Greek director and producer Stefanos TAI’s feature debut. He was inspired by the memories of Filipino domestic workers in Hong Kong who number some 400,000. Myanmar Diaries by The Myanmar Film Collective premiered in the Panorama section of the Berlinale where it won the Documentary Award. The Collective consists of young Burmese filmmakers and European film professionals who continue making films as creative resistance in the wake of the military coup.
Domain Domain focuses on a sphere of activity and knowledge in cinema. This year, guest programmer Róisín Tapponi presents a selection of film and video works from South West Asia and North Africa (SWANA), her area of specialisation.	TO THOSE WHO REMAIN This special programme approaches themes of rurality, labour and land in South West Asia & North Africa (SWANA), celebrating those who continue to care, nurture and hold their community, without letting go. Guest programmed by Róisín TAPPONI, Founder & CEO of Shasha Movies, the first independent streaming service for South-West Asian and North African cinema, the selection of films invites the audience to consider land and the places we call home on a conceptual level. Tapponi is also the Founder of Habibi Collective, ART WORK Magazine and Independent Iraqi Film Festival (IIFF). Foragers by Jumana MANNA (with Hybrid Q&A) is an important commentary on the extent of the Israeli occupation of Palestine – where violence is not only physical, but also cultural. An established Lebanese filmmaker, Ali CHERRI presents his first feature The Dam (with Hybrid Q&A), a political fable that explores the power of imagination. The film premiered at Cannes Directors’ Fortnight.

Film Section

Film Highlights

Altitude

Altitude platforms important new works by some of the most established filmakers today.

The Novelist’s Film is the 27th feature by South Korean filmmaker HONG Sang-soo whose work explores everyday life and human interaction in subtly profound ways. The Novelist’s Film premiered at the Berlinale where it won the Silver Bear Grand Jury Prize. In this work of startling intimacy, a novelist’s affinity with a younger actress leads to a film collaboration.
No Bears is by acclaimed Iranian director Jafar PANAHI whose films are known for their humanistic perspective on life in Iran. Though he was banned from leaving the country and barred from filmmaking since 2010, he has continued to find ways to create fresh, award-winning works. He was ordered to serve a six-year prison sentence in July 2022.
Alcarràs is the sophomore feature of Spanish filmmaker Carla SIMÓN. The film won the Golden Bear at the 72nd Berlinale and became the first Catalan-language film to receive this award.

Horizon

Horizon scopes out strong festival discoveries and films of eclectic perspectives from all over the world.

Divine Factory is an observational documentary tackling the topics of religion, labour and capital, by Filipino filmmaker Joseph MANGAT. This is his feature debut, which was a recipient of Tan Ean Kiam Foundation- SGIFF Southeast Asian Documentary (SEA-DOC) Grant.
A Long Journey Home by young Chinese director ZHANG Wenqian makes its Asian premiere at SGIFF. This is her feature debut, which was awarded the jury prize in the Burning Lights Competition at Visions du Réel.
Stone Turtle by Malaysian director, writer and producer WOO Ming Jin is a spellbinding island folk horror. Stone Turtle won the FIPRESCI Prize at the Locarno Film Festival in 2022.

Foreground

Foreground spotlights genre favourites and cinematic attractions of the year.

World War III by director Houman SEYEDI will be making its Southeast Asian premiere after winning the Orizzonti Award for Best Actor and Orizzonti Award for Best Film at the 79th Venice International Film Festival. The film was also selected as the Iran entry for the Best International Feature Film at the 95th Academy Awards.
Premiering in Southeast Asia, The Abandoned was directed and co-written by TSENG Ying-Ting and stars Golden Horse Award winner Ethan Ruan as well as Golden Horse Award nominee Janine Chang in this dynamic crime thriller.
Nocebo by Irish filmmaker Lorcan FINNEGAN is an Irish- Filipino psychological thriller starring Eva Green, Mark Strong and Filipino actress Chai Fonacier. Nocebo will be making its Singapore premiere.
The Fifth Thoracic Vertebra is the first feature film by South Korean director PARK Syeyoung. A quirky, melancholy body horror that mixes genre kicks with playful formalism as it follows the life of a mattress-dwelling fungus. The film won 3 awards at the 26th Bucheon International Fantastic Film Festival, including the Korean Fantastic Audience Award, and will be making its Southeast Asian premiere at SGIFF

Undercurrent

Undercurrent charts exciting directions and bold expressions in cinema today, affirming imaginative treatments of the moving image.

The 33rd SGIFF will showcase five double bills and three single features in this section.

All The Things You Leave Behind by Thai filmmaker Chanasorn CHAIKITIPORN and The Unburied Sounds of a Troubled Horizon by Vietnamese filmmaker Tuan Andrew NGUYEN will both make their Asian premieres at SGIFF. Both are politically charged films that take a localised look at the lasting impact of war.
Unidentified is a hilarious, moving, and whimsical speculative fiction piece that tackles the idea of belonging by Korean-Canadian filmmaker Jude CHUN and Eventide is a single-shot landscape short film by Los Angeles-based visual artist Sharon LOCKHART that experiments with the rich sonic and visual resources of the night to evoke both wonder and mourning.
De Humani Corporis Fabrica is an immersive, visceral journey through the structures and pathologies of human and medical bodies in the 21st century. A collaboration between anthropologists and visual artists Véréna PARAVEL and Lucien CASTAING-TAYLOR, De Humani Corporis Fabrica premiered at Cannes in the Directors’ Fortnight section.
The Fifth Thoracic Vertebra is the first feature film by South Korean director PARK Syeyoung. A quirky, melancholy body horror that mixes genre kicks with playful formalism as it follows the life of a mattress-dwelling fungus. The film won 3 awards at the 26th Bucheon International Fantastic Film Festival, including the Korean Fantastic Audience Award, and will be making its Southeast Asian premiere at SGIFF.

Undercurrent

Undercurrent charts exciting directions and bold expressions in cinema today, affirming imaginative treatments of the moving image.

The 33rd SGIFF will showcase five double bills and three single features in this section.

All The Things You Leave Behind by Thai filmmaker Chanasorn CHAIKITIPORN and The Unburied Sounds of a Troubled Horizon by Vietnamese filmmaker Tuan Andrew NGUYEN will both make their Asian premieres at SGIFF. Both are politically charged films that take a localised look at the lasting impact of war.
Unidentified is a hilarious, moving, and whimsical speculative fiction piece that tackles the idea of belonging by Korean-Canadian filmmaker Jude CHUN and Eventide is a single-shot landscape short film by Los Angeles-based visual artist Sharon LOCKHART that experiments with the rich sonic and visual resources of the night to evoke both wonder and mourning.
De Humani Corporis Fabrica is an immersive, visceral journey through the structures and pathologies of human and medical bodies in the 21st century. A collaboration between anthropologists and visual artists Véréna PARAVEL and Lucien CASTAING-TAYLOR, De Humani Corporis Fabrica premiered at Cannes in the Directors’ Fortnight section.

Standpoint

Standpoint showcases new international works that present strong attitudes of personal, social and political consequences.

A House Made of Splinters by Danish documentary filmmaker Simon LERENG WILMONT is a sobering window into the little lives and high hopes of three children seeking refuge at a temporary shelter in eastern Ukraine. This is the film’s Asian premiere.
I Didn’t See You There is the feature debut of American filmmaker Reid DAVENPORT, who makes films about disability from an overtly political perspective. The film premiered at the 2022 Sundance Film Festival and won Best Directing in the US Documentary Competition.
We Don’t Dance For Nothing is Chinese-Greek director and producer Stefanos TAI’s feature debut. He was inspired by the memories of Filipino domestic workers in Hong Kong who number some 400,000.
Myanmar Diaries by The Myanmar Film Collective premiered in the Panorama section of the Berlinale where it won the Documentary Award. The Collective consists of young Burmese filmmakers and European film professionals who continue making films as creative resistance in the wake of the military coup.

Domain

Domain focuses on a sphere of activity and knowledge in cinema.

This year, guest programmer Róisín Tapponi presents a selection of film and video works from South West Asia and North Africa (SWANA), her area of specialisation.

TO THOSE WHO REMAIN

This special programme approaches themes of rurality, labour and land in South West Asia & North Africa (SWANA), celebrating those who continue to care, nurture and hold their community, without letting go. Guest programmed by Róisín TAPPONI, Founder & CEO of Shasha Movies, the first independent streaming service for South-West Asian and North African cinema, the selection of films invites the audience to consider land and the places we call home on a conceptual level. Tapponi is also the Founder of Habibi Collective, ART WORK Magazine and Independent Iraqi Film Festival (IIFF).

Foragers by Jumana MANNA (with Hybrid Q&A) is an important commentary on the extent of the Israeli occupation of Palestine – where violence is not only physical, but also cultural.
An established Lebanese filmmaker, Ali CHERRI presents his first feature The Dam (with Hybrid Q&A), a political fable that explores the power of imagination. The film premiered at Cannes Directors’ Fortnight.

The beloved Singapore Panorama section will span 26 films including two feature films that will make their World Premiere at SGIFF. These are Absent Smile (几时回来)by celebrated visual artists John CLANG and Lavender CHANG, Before Life After Death by filmmaker Anshul TIWARI. Geylang directed by Boi KWONG will also be making its Southeast Asia Premiere at the festival. A unique Virtual Reality double bill will also be part of the short film programme, featuring The Seven Step Verse by documentary filmmaker Ella RAIDEL and In times like these… by multidisciplinary creatives Jevon CHANDRA, CHEN Yanyun, Corentin DERBRE and Alex SCOLLAY.

Debuting their feature films at SGIFF under the Singapore Panorama banner are (from Left to Right): John CLANG and Lavender CHANG; Anshul TIWARI; and Boi KWONG

The Forum section of the Festival bridges the filmmaking community and the public through a series of fascinating talks and panel discussions. The upcoming edition of Forum experiments with more creative and interactive elements where the audience can experience Festival firsts like We All Paint Ourselves Green, a talk and live demo of Extended Reality technology; and Mildly Offensive, Sometimes Accurate, an interactive gameplay hosted by comedian Hossan LEONG, where local film industry names pit their viewpoints against each other while the audience continually votes on the ‘offensiveness’ of each statement. All Forum events are free of charge, but registration is essential.

Celebrating Asian Talent & Achievement

The annual Silver Screen Awards, which takes place this year on 4 December, honours the exceptional contributions of filmmakers who have helped shape regional cinema. Two key award categories are the Asian Feature Film Competition and the Southeast Asian Short Film Competition; this year, the former category consists of 9 new films by directors making their first to third features, while the latter category presents 17 new films across four programmes.

“SGIFF is back at full capacity this year and we are truly grateful to those who have supported us through thick and thin. In addition to having a Central Asian film open the festival for the first time, we have also expanded Producers Network to include the whole of Asia, reinforcing our support for independent films in the entire region,” shares Emily J. HOE, Executive Director, SGIFF. “We now provide a more holistic platform for filmmakers, with the festival’s new developments perfectly complemented by existing competition sections for Asian Feature Films and Southeast Asian Short Films as well as Singapore Panorama. Through these critical sections, we spotlight the best emerging filmmakers from the region and are excited to follow and support their careers going forward.”

The 33rd SGIFF will be hosted across multiple festival venues, with screenings at Filmgarde Kallang, Carnival Cinema at Golden Mile Tower, Golden Village Plaza Singapura, Oldham Theatre, The Projector, Projector X: Picturehouse; and talks and panels will be held at Anomalyst Studio, LASALLE College of the Arts, Oldham Theatre and 42 Waterloo.

SGIFF is an event of the Singapore Media Festival (SMF), hosted by Infocomm Media Development Authority of Singapore (IMDA). Early Bird tickets for SGIFFriends are available for purchase at SGIFF.com from 1 Nov, 12pm. Official ticket sales commence 2 November, 12pm.

ENDS

Media Assets may be downloaded here.

Contact for Media Enquiries

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About SGIFF

Founded in 1987, the Singapore International Film Festival (SGIFF) is the largest and longest- running film event in Singapore. It has become an iconic event in the local arts calendar that is widely attended by international film critics; and known for its dynamic programming and focus on ground-breaking Asian cinema for Singapore and the region. Committed to nurturing and championing local and regional talent, its competition component, the Silver Screen Awards, brings together emerging filmmakers from Asia and Southeast Asia while paying tribute to acclaimed cinema legends.

With its mentorship programmes, masterclasses and dialogues with attending filmmakers, the Festival also serves as a catalyst for igniting public interest, artistic dialogue, and culture exchanges in the art of filming. The SGIFF is organised by the Singapore International Film Festival Ltd, a non-profit organisation with Institution of a Public Character (IPC) status. For more information, please visit https://www.sgiff.com.

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